Three Irwin Shaw short stories are dramatized. In "The Girls in Their Summer Dresses" a young married couple stop for a drink on a Sunday morning in Manhattan, and the conversation turns to the husband's fidelity. "The Monument" centers on the conflict between a popular bartender with a following in an upscale Irish bar in 1938 Manhattan and its owner, who is determined to introduce a more economical whiskey in the establishment over the barkeep's objections. In "The Man Who Married a French Wife" the influential American husband of a French woman is asked by her former lover, a former resistance fighter, to help him escape the country.

Three Irwin Shaw short stories are dramatized. In "The Girls in Their Summer Dresses" a young married couple stop for a drink on a Sunday morning in Manhattan, and the conversation turns to the husband's fidelity. "The Monument" centers on the conflict between a popular bartender with a following in an upscale Irish bar in 1938 Manhattan and its owner, who is determined to introduce a more economical whiskey in the establishment over the barkeep's objections. In "The Man Who Married a French Wife" the influential American husband of a French woman is asked by her former lover, a former resistance fighter, to help him escape the country.

Facing Francisco, each protagonist strips off in front of his camera and speak about themselves in a documentary format, animated in rotoscopy with more than 500 blue ballpoint pen drawings.

Tim and Eric's dark comedy anthology series.

It tells a thriller story about a chase that begins with an old priest who pretends to be an old man who died alone in a dilapidated neighborhood and hears the prisoner's confession, and a middle-aged female detective working together.

When Seung-min was on his first year at the Academy of Architecture, he met Seo-yeon. She was a musician student, and Seung-min totally fell in love with her. Years have passed, and now he meets Seo-yeon again - she asks him to rebuild her father's old house.

Heritage Architecture is a landscape film that plays over three 100' rolls of 16mm, loosely interweaving street scenes from Chinese and Taiwanese port cities through the interstitial space-time of alleyway homes, street markets, and festivals. In the city of Shanghai, heritage architecture is encapsulated within the petite bourgeois memory of longtangs; in Taiwan, this materializes through the spiritual economy of traditional temples. In the end, the hauntologies of these places are preserved in their heritage character which reveal simultaneously national, local, and personal histories that twist and turn alongside changing political powers and rapid urban development. -LJS